The Pavilion of Theoretical Institutes of the Slovak University of Technology in Bratislava was built between 1948 and 1953 based on a project by the eminent Slovak architect Emil Belluš. The south wing of the building is decorated with a set of relief plaques that were mounted on the building between 1949 and 1953. Their creators were the most important Slovak sculptors of the 1950s.   

      There are twenty reliefs on the façade: eight on each of the western and eastern sides, three in the 1st floor windowsills on the southern side, and one above the building’s east entrance.     

       The collective theme is celebration of the professions that contributed most significantly to the building of a new society after 1948. These professions are symbolised by their distinctive attributes. Content of the reliefs, as well as the artistic method of processing (descriptive realistic depiction), conforms to the period of socialist realism in Slovakia during the first half of the 1950s. The composition is characterised by schematic representation; it features static scenes of two or three three-quarter figures (workers) depicted to the sides of the plaque, linked by the attributes of their profession.  

      The scene Miners by Ladislav Pollák is mounted on the western façade in the eighth window axis from the south. It shows the figures of two young men facing each other from each side of the scene. They are depicted as three-quarter figures with heads in profile facing each other. They are wearing trousers, their upper bodies naked, and have berets on their heads. In their hands, they hold miners' tools – the figure on the left holds a jackhammer at chest level, the figure on the right lifts a carbide lamp to head level.

ZZ

Research status as of 10 June 2023.